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Dance Star Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I Don't Feel Protective About My Body'

In the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is naturally upright, his limbs muscular beneath a simple tee. During performances, ballet dancers can appear as powerful gods, yet frequently offstage they are petite. Not so Ball, whose height is part of his demand for heroic characters and partnering. With delicate traits and piercing eyes, there's a touch of Robert Pattinson about him.

An Apparent Rise to the Top

At 31, Ball is experiencing the peak of a career that has progressed seamlessly. Raised in Liverpool, he encountered little teasing for his early interest in ballet. Entering the esteemed training institution at 11, he graduated straight into the company and was advanced each year, reaching the highest position of principal in 2018. He has loved tackling meaty dramatic roles, particularly the emotional angst found in Kenneth MacMillan's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His upcoming featured appearance is as himself, in an "In Conversation" event aiming to offer behind-the-scenes insights into a performer's art. He will walk the audience through a part, demonstrating his cognitive workflow while execution. Yet in lighter ballets, the test is significant. "Don Quixote is one of the toughest from a skill perspective," he notes.

The Psychological Game and Post-Performance Feelings

How does he feel following a performance, when he has succeeded? "It's pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get lost in the role, quite often I do feel self-conscious later. After Mayerling I'm always like: God, what must people think?"

In person, Ball is reflective, polite, and quick to laugh at himself. But a dance maker once observed on a "sense of suffering in him." Does this exist? "I am very energetic usually, but I do have a dark side," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an instigator for good change."

Early Motivations and Artistic Influences

His determination stemmed from early experiences. Not excelling in contests at school made him "vengeful!" It was fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

An upcoming endeavor is creating his own choreography. For Ball, "organic movement has value." "Challenging the conventions is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be loaded with meaning, drawing inspiration from literature, music, and art.

Intimate Dance and Personal Partnership

He additionally favors presenting dance in more intimate spaces. "It was just really exciting," he says of a past show. "You’re so near to the audience. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." They aren’t usually matched on stage at their main theater, which is perhaps beneficial. "We’re both quite determined people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Physical Image

On social media, followers can see videos from his projects and photos that highlight a sculpted physique. Does he mind that the response can be somewhat focused on appearance? Not really. "The body is just what we work with, so I don’t feel very precious about it," he explains. He relates it to viewing Michelangelo’s David—something that can be interpreted on various levels.

Ball characterizes his early self as "desperate for success." Has it met his expectations? "I feel very aware of how life is a different reality to the aspirations you had as a child," he reflects. He likely has about decade of performing ahead. "I suppose in the future, I want to be a bit more gentle with myself."

Written by

Samantha Taylor

A passionate horticulturist with over a decade of experience in urban farming and sustainable agriculture.

NookPulse UK

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